![]() ![]() According to Mizelle, musicians, Harlem Renaissance artists, fraternal organizations, and Creole migrants all shared a sense of vulnerability in the face of both the Mississippi River and a white supremacist society. Backwater Blues reveals larger relationships between social and environmental history. ![]() history, with more than fifty songs evoking the disruptive force of the flood and the precariousness of the levees originally constructed to protect citizens. Mizelle notes that the devastation produced the richest groundswell of blues recordings following any environmental catastrophe in U.S. The book’s title comes from Bessie Smith’s “Backwater Blues,” perhaps the best-known song about the flood. In Backwater Blues, Mizelle analyzes the disaster through the lenses of race and charity, blues music, and mobility and labor. ![]() Fox and others - are to the general listening public. Garfield Akers is about the most famous, which tells you right there how obscure most of these names - King Solomon Hill, Otto Virgial, Mattie Delaney, Joe Calicott, Blind Joe Reynolds, John D. examines the place of the flood within African American cultural memory and the profound ways it influenced migration patterns in the United States. This is a well-organized, smartly chosen 20-track compilation of some of the lesser-known early Mississippi blues artists. Often remembered as an event that altered flood control policy and elevated the stature of powerful politicians, Richard M. history, reshaping the social and cultural landscape as well as the physical environment. The Mississippi River flood of 1927 was the most destructive river flood in U.S. ![]()
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